Engineering Is a Very Important Part of Our Society Essay Example for Free

Engineering Is a Very Important Part of Our Society Essay Engineering is a very important part of our society, both now and in the past. It is a major that opens a wide variety of career opportunities for you after college. Engineering is what keeps our nation moving and up to date with technology. It is a very strong appealing major in college due to the amount of average income, and also it appeals to many individuals likes in a career. It has the highest paying income straight out of college, and that increase in pay usually does not stop, it just keeps increasing. Another appealing aspect of a career in engineering is the possibility to work for a foreign company, and no matter where you live in the United States, your income never decreases due to the other local income. It is a rewarding career, both financially and mentally. This is one of those careers that you feel a great deal of self-worth after completing an assignment, or creating something new and improved to keep up with technology. It is a major that requires more time and effort than most other majors. You need to apply yourself or you will just fall behind and most likely just drop the major all together. Whether you choose general engineering or a more difficult division such as mechanical or To become a successful engineer is to ensure a spot in our future. Almost every type of engineering will be required to run our world, now and in years from now. Engineering is very important aspect of our working world. It keeps us going and up to date with technology. Without engineers, there would be no moving parts, which means no cars, planes, video games and anything else you can think of that requires moving parts to operate. Over all engineering is concerned with technology and keeping the world going. In the future, near or far, engineering most definitely has its place in our world. If the future holds a few big technological advances or a lot, engineers will still be there making sure everything runs smooth and properly. A world without engineers could only exist if everything made, was made to perfection and would never fail or break down. For now, we need to keep putting out successful engineers into our working world, and make sure that there is a future. l or aerospace, your major is the most difficult one you can choose. I recently interviewed Jack Byrd, an engineering professor at West Virginia University, on Mechanical Engineering. The interview detailed the importance of engineering and the process he went through to be where he is today. This interview would be an insight to anyone who has the slightest interest in engineering or becoming an engineer and what it takes to become a successful engineer. After college is where your education really takes its part in your life. Even though your schooling is over, it plays one of the biggest roles in all your opportunities after you graduate. Once you get your resume around, you have many possibilities and opportunities ahead of you to choose The world is changing rapidly. From the Stone Age to the Iron Age today we are living in an ultramodern era where things which were not even thought of earlier have become vital necessities in our life. For example, light in those ages was to be got only from sun for a limited part of day. But now we have electricity for all time use. Thanks to Thomas Alva Edison who by inventing electricity illuminated the whole world.

Akira Kurosawa An Auteur Film Studies Essay

Akira Kurosawa An Auteur Film Studies Essay Since the term auteur was applied to film directors by the cahiers du cinema magazine in the 1950s,there has been much debate by film-makers and critics as to what makes an auteur and how accurate the term is when applied to some directors. Federico Fellini, in a 1966 interview, said that Akira Kurosawa was the greatest living example of what an author of cinema should be'(Cardullo,2006,p.49) and in this essay I would like to explore the accuracy of this statement based on Kurosawas period films and how meaningful the term auteur is. In his article, Notes On The Auteur Theory In 1962, Andrew Sarris (interpreting the Cahiers various articles on what became known as auteurism)describes the auteur as a director who is technically proficient, whose personal style is clear in the way a film looks and moves and who creates an interior meaning from the tension between a directors personality and his material. This last statement, Sarris admits, is ambiguous. Susan Hayward in her book Cinema Studies: The Key Concepts (1996) sheds more light on what the cahiers meant by auteur by defining the interior meaning as the mise en scene and the personality of the director. She also describes the total author'(p.33), a director who writes their screenplays. Because of the sheer amount of debate surrounding what an auteur is I will base my argument on both Sarris and to a lesser extent Haywards explanation of the term auteur. A large part of being an auteur, based on what Sarris defines as an auteur, is the ability of a director t o imprint their mark onto a film in spite of the limitations brought on by studio control. This would have had great meaning in Hollywood at the time the article was written but not necessarily in the film industries of the wider world, particularly Japan. For Kurosawa in there far fewer limitations in how he made films in comparison to his Hollywood counterparts. Kurosawa was the principle writer on the majority of his films and those which were based on other stories would be adapted by him for the screen. He would often quote his mentor, Kajiro Yamamoto, in interviews saying if you want to become a film director, first write scripts (Kurosawa, 2008, p.10). In this respect Kurosawa was quite literally the author/auteur and originator of his films and so would appear to fit into the total author mould. Where the gray area exists as far as being an auteur is in Kurosawas use of collaborators in the screenwriting process such as Shinobu Hashimoto who was involved in the writing of Seven Samurai (1954), Throne Of Blood(1957) and The Hidden Fortress (1958) to name but a few. This would arguably prevent him from being considered a total author. Another area where Kurosawa has total control is editing. In the introduction to the book Akira Kurosawa: Interviews , Bert Cardullo calls Kurosawa an auteur because he edited or closely supervised the editing of all his films (p.10). I am inclined to agree with Cardullo that this would add to the degree of authorship on a film as Kurosawa will have the final decision on exactly what the cinemagoer will see. This could be seen as technical proficiency however Sarris article bases technical proficiency on directing skills, editing skills are not even considered. Overall it seems that the level of control Kurosawa had over non-directorial aspects of his films would remove the impact of his autuerism because so much of what makes an auteur is the ability to push through industrial control to have your own voice heard. With Kurosawa it was his own voice from the beginning in the writers room and it would end as his voice in the editing room with no real struggle involved. Because Kurosawa wrote the script it was all uniquely personal to him which is one of the key elements of auteurism. In Notes On The Auteur Theory In 1962 Andrew Sarris had said that a director spends most of his life on one film. For Kurosawa that one film could be the period film, something he worked on time and time again. The backdrop of medieval Japan was the preferred setting for Kurosawa and something which was very personal to him: Kurosawas intense feelings for pre-modern Japan, his perceptions of himself and his family in these terms, disclose a view of the past as a living sensuous reality (Prince,1999,p.203) His father was of samurai descent and Kurosawa himself romanticised the past in many ways, finding solace in it where there was none in the present. The early samurai films show his youthful exuberance with films such as Seven Samurai and Yojimbo(1961)showing a positive vision of the past heroism has been transformed into acts of everyday charity (Prince,1999,p.241). In stark contrast to the positive nature of these films the later samurai films are significantly more bleak in nature. These films followed years of depression, attempted suicide and struggles to find finance. For example Ran(1985) Kurosawas last samurai epic, the title of which translates as turmoil or chaos, is a downward spiral of misery from start to finish with almost all characters having distinctly negative traits. Prince describes the period of both ran and the earlier Kagemusha(1980) as defining a period of melancholy and bitterness and a questioning of youthful idealism (p.293). Further examples of Kurosawas o wn beliefs and personality lie in the themes of the films. When asked what he felt were the common themes in his films Kurosawa replied the only theme I can think of is really a question: why cant people be happier together'(Kurosawa, 2008, p.162). In many ways the real recurring theme of Kurosawas films is humanism, he regularly explores human nature whether its an individual taking up arms against the corrupt (Yojimbo), people working together for the greater good (Seven Samurai) or the hopelessness of war (Ran). All suggest that the world would be a better place if we all got along. These films show the personality, thoughts and feelings of the director during their production which I would argue is a prime example of what an auteur is, someone whos films reflect them. Kurosawa was a highly visual film-maker. In his youth he had wanted to be an artist and its clear from the composition of many of his shots that he retained the sensibilities of an artist. From the interviews conducted over the years in Kurosawa: The Interviews it is clear that Kurosawa maintains as much control over every shot as possible from composition to choice of camera. Stephen Prince describes the technical knowledge of Kurosawa and his reliance upon telephoto lens and techniques of multi-camera filming'(p.18) as well as his use of anamorphic frame in later films such as Kagemusha. Kurosawa knew how to get the best images out of every scene even if it meant using unconventional techniques and new technology. He lives up to the level of technical expertise Sarris had believed was vital for a true auteur. This did not however mean that Kurosawa was his own camera operator, indeed he couldnt be because from Seven Samurai onwards he stuck to using multi-cameras no matter what kin d of scene was being filmed. He believed this meant that actors would be less conscious of acting to a camera and instead would have to put on a good performance that could be seen at all angles. Kurosawa did his utmost to ensure that his vision was achieved and would regularly take control of his own camera however he described the process of getting others to achieve shots: I explain the desired image in detail not only to the cameraman but also every member of staff and have them do their utmost to produce the best possible likeness to it (Kurosawa,2008,p. 27) So even with his knowledge of camera lenses there was still a collaborative issue as far as using a cinematographer and indeed Kurosawa had several regular cinematographers such as Asakazu Nakai who worked on films such as Seven Samurai and Ran. Kurosawas technical proficiency is also very clear in his framing decisions. For example in Seven Samurai Kikuchiyo is clearly the outsider of the group which Kurosawa emphasizes by how the framing consistently isolates him from the rest of the samurai who are clustered together as a group'(prince,1999,p.214). The way battle scenes are shot in Kagemusha with huge amounts of troops at either end of the screen is a sight to behold, all the more so in the way Kurosawa manages to retain a sense of beauty in the battle. Francis Ford Coppola on the making of Kagemusha described the way Kurosawa presented fight scenes and violence as almost poeticstunning and dramatic and embodying the moment that was supposed to be expressed. The stylistic nature of the battle scenes became a trademark for the director from Seven Samurai onwards. His ability to use camera and edit techniques to portray violence in a thrilling, heroic way were part of the style and something that could be recognised as part of a distinctly Kurosawa film. Not only that but the introduction of colour only to improve his vision of battle with Kurasawa frequently choosing drab backgrounds'(Ebert,online) to show of the colourful costumes which effectively stand out from the background and clash together in battle. Another noticeable K urosawa technique is the use of cutting between similar shots to emphasize drama,Kurosawa loved to intercut two or three shots whose compositions were exactly aligned with the axis of view established in the initial camera position (Prince,1999,p.299). Examples of this exist in various Kurosawa films. In Seven Samurai it is used on the flame engulfed house following the initial bandit attack and the broken lock in Yojimbo which is used by Sanjuro to avoid the kidnappers. This technique focuses the viewer on the dramatic or emotional element and creates a tension. With so many more stylistic calling cards than could possibly be named in a single essay, Kurosawa has a clear style and so fits into the auteur theory. The auteur theory however clearly has many failings even when applied to someone who appears to cover all the bases (writing, directing, editing) of what makes a film-maker an auteur. Many of these failings have already been discussed but in essence they all come down to one thing, film is a collaborative work. Would Kurosawa be able to achieve the shots he did without the work of some of the worlds best cinematographers? Its highly unlikely. Did he write all of his screenplays alone? Certainly not. Would many of his films have been as enjoyable without some great acting from the cast, particularly frequent collaborator Toshiro Mifune? No. In an interview Kurosawa discusses the collaborative nature of his work with Mifune, particularly the distinct walk Mifune has in Yojimbo,Mifunes walk is his own invention. In order to stress it, I carefully selected camera framings and lenses. This seemingly insignificant example is a snapshot of all that is wrong with the auteur theory. The secon d a director claims a film is all theirs they are disrespecting the great people they have worked with. As for Kurosawa being an auteur,even ignoring the flaws in that theory, Mutsuhiro Yoshimoto in his book Kurosawa: Film Studies and Japanese Cinema says: Kurosawas films are too worldly and historical to be approached as mere aesthetic objects where his personal vision is inscribed or as a structure or textual system that reveals his unconscious desire (p.239)

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Health, Safety and Welfare The Safety, Health and Welfare Act of 2005 came into operation on 1st September 2005. The Safety, Health Authority is a state-sponsored body under the Department of Enterprise. The trade and employment would have the overall responsibility for the administrate side of things and enforcing the Health and Safety in the workplace. There are all protected by law. Therefore the employer must ensure a safe work environment. The work place must have a documented specifics regarding buildings for the safety inspectors on request. These places must have signage in place for the employers safety and these regulation must be carried out. Bullying in the workplace is another health and safety issue that can be challenged under the Safety, Health and Welfare at work Act 2005. The Act applies to all employers and employees both temporary, full time and self employed people in their workplace. The Acts sets out the rights and obligation of both employers and employees and as a result heav y fines and penalties for breaches of the Health and safety legislation. Both employer and employee have duties to here by in the Health and Safety Act 2007. Employers is required to carry out a risk assessment which should identify any hazards that present them selfs in the work place. The employer should also carry out an assessment in relation to pregnant employees. The employer is obliged to report any accident that results in an employee missing 3 consecutive days at work which do not include the day of accident. Protective equipment are available on site for all employees. Employment Equality Employers are legally obliged to abide to the existing equality legislation when hiring and employing staff whether full tim... ...ce Industrial, Professional and Technical union. The most common fought problem with wages. Regulations related to pay A system was set up to determine what the minimum wage would be. Each country set their own minimum wages laws as see fit. The current is â‚ ¬8.65 an hour in Ireland on July 2007. There is a minimum rate for the first year of a job is â‚ ¬6.92 per hour. On request employees are entitled to a written statement setting out their reckonable pay, working hours, average hourly rate of pay entitlement under the Act. This wage may only be paid either weekly or monthly with agreement of employer and employee. The National minimum wage act 2000 sets the minimum rate for all experienced adult employees. The payment of wages Act gives every employee in Ireland a right to a payslip showing the employees gross wages and any details of overtime or deductions.

Vouchers and School Choice - The Use of School Vouchers :: Argumentative Persuasive Essays

Use of School Vouchers There has been a lot of debate recently over the use of school vouchers. Voucher programs offer students attending both public and private schools tuition vouchers. It gives taxpayers the freedom to pick where their tax dollars go. In theory, good schools will thrive with money and bad schools will lose students and close its doors. Most people feel that taking taxpayer money from public schools and using this money as vouchers for private schools is a violation of the constitution. Most private schools in America right now are run by religious organizations. There has been a lot of controversy over this issue mainly because of the importance of an education in a modern society. School choice initiatives are based on the premise that allowing parents to choose what schools their children attend is not only the right thing to do, but is also an important way for improving education. Instead of a one-size-fits-all model, School choice programs offer parents various options from which to pick the educational settings they believe will work best for their child. However, there is Supporters of school vouchers claim that it levels the educational playing field for lower income families who would have the option to send their kids away from an "ineffective" poorly funded public schools. Some lower class families feel that their kids would have a better chance with a tuition voucher to go to a private school where more money is spent on education. Many feel that vouchers would undermine public schools, by taking away public money for smaller class sizes, teacher training and innovative curriculum. Also, many feel that vouchers would erode the support for public education. In Milwaukee, voucher schools say they do not give special services to students with disabilities. Most of the voucher schools refused to sign a letter that they will honor constitutional rights such as free speech and due process. The letter stated that the schools would not discriminate on the basis of sexual orientation, pregnancy, or marital status. Despite the controversy surrounding vouchers, the private school choice movement may be gaining support. In June of 1999, The Florida legislature approved a plan to give children in the state's worst schools taxpayer-funded tuition payments to attend qualified public, private, or religious schools.

Illegal Immigration In The United States :: Immigration and Politics

Why does the issue of immigration divide American opinions when the United States is a country built by immigrants? The online encyclopedia http://en.wikipedia.org defines immigration to the United States as "the permanent movement of foreigners to the United States." This online encyclopedia also states that immigration to the United States has been a major source of population growth and cultural change throughout American history." In order to establish an objective and well thought out viewpoint on this very sensitive subject, I thought it would be best to discuss as many different viewpoints as possible. However, my research indicates that is seems like everyone in the United States and abroad has his or her own stance. So I will limit this discussion to two viewpoints; they are as follows: • Those who oppose illegal immigration and want the immigrants to be forced back to their originating countries. • Those who oppose illegal immigration but would prefer that illegal immigrants that reside within the United States are granted citizenship options. There are obviously quite a number of people that are opposed to illegal immigration. In order to witness this reality today, all you really have to do is turn on your TV and search for a news channel that is covering current politics. You will definitely hear something in reference to the current issue of illegal immigrants within the United States as well as numerous videos or images of activists protesting or supporting the residential status of immigrants within the United States today. No decision has been made on what will happen to the millions of illegal immigrants that currently reside in the United States, but I am sure that the heated debate will become more heated when presidential elections occur. I think this will be the ultimate driving factor for a decision on what will happen with the illegal immigration issue we are witnessing today. There are numerous reasons why people oppose immigration. Some have antiracially motivated objectives. They simply reject imm igrants because of racist notions. Another reason why people opposed both legal and illegal immigration is because they believe that the population levels will increase severely, which will ultimately cause joblessness and an increase in famine and crime within the United States.(1) These reasons are more socioeconomically related. One could say the ultimate reason is due to fear of a negative impact at an individual level as well as a deteriorating environment.

Consequence of Self Deception

The consequence of self-deception can be disastrous. Self-deception can be defined as a misconception that is favoured to the person who holds it. In an attempt to justify ones behaviour, we often, unknowingly, gloss over or even alter the truth of our past, in order to escape the feelings of guilt, embarrassment, shame, or even to protect the people around us. However, consequently, the act of self-deception can be disastrous, not only for the delinquent, but also for those around them.This is continuously depicted in Tennessee Williams’ play, A Streetcar named Desire, as the protagonist, Blanche Dubois, spins a web of deceitful lies to escape the painful truth of her past. It isn’t only Blanche, however, that find them self a victim of their own self -deception, struggling to free themselves from the strong hold, eventually leading to their disastrous downfall. On the other hand however, as self-deception can be extremely dangerous in certain cases, it can also help a ssist in delaying/preventing disasters from occurring.As such, the act of self-deception can leave ever lasting damage, whilst, for some, preventing it, as they attempt to protect the ones they love. Remembering the past, may often be a painful and traumatic experience, as unpleasant events are recalled. As such, certain individuals may tend to try to fabricate these past events, in order to steer clear of shame or embarrassment, and escape the harsh blows of reality. In Tennessee Williams’ play, A Streetcar named Desire, the protagonist, Blanche Dubois, is depicted in a manner where she comes across as a deceitful liar as she only tells what ‘ought to be the truth’.Blanche is somewhat ashamed of her traumatic past and the ancestor’s epic fornications lead to the loss of the family home in Belle Reve, as well as Blanche, searching for love and affection in strangers. Blanches deception to herself and the people around her, lead to her ultimate tragic downf all as she doesn’t search for realism, she wants magic in her life. Throughout the course of the play, Blanche is convinced and has deceived herself, but not the people around her, and as the light is shun over and her unpleasant past is brought to light, Blanche spirals down, consequently leading to her downfall.In certain circumstances, an individual may attempt to supress or repress an event if it is possibly distasteful to their current reality. By choosing to supress a fraction of the truth in the event, one may hope to simply continue on living in their current reality, forcing themselves to believe what they hope to be real. In Tennessee Williams’ play, A Streetcar names Desire, Stella Kowalski decides to repress her thoughts, when her sister Blanche Dubois informed her of how she was raped by Stella’s husband Stanley.Stella believes that if she does chose to believe what her sister has told her about her husband, Stella cannot continue living in her curr ent reality with Stanley Kowalski. Stella however, decided to continue living a life, with the man she loves whilst having to make her own truth of the story she was told by her sister Blanche. Although, through the act of self-deception, Stella manages to continue on, living the life she loves, with the man that she loves, steering clear of the disaster she may have otherwise faced.

A House on Fire Essay

Fire is a good servant, helping us with the cooking and providing warmth during those chilly winter nights, but it can also be a bad master when we underestimate its destructive power. It’s for this reason that fire needs to be handled with care. Playing with it can be dangerous, and at times can also prove fatal to those unfortunate enough to find themselves in its path. Our next-door neighbours were lucky in that nobody was injured, but the same thing cannot be said about their beloved house. Although it’s been ten years now, I can still remember the whole thing as if it were yesterday, and each time, the thought of that terrifying episode makes my blood run cold. It was a hot stuffy summer night when it all took place. Back then air-conditioners were not a common sight, so everyone had no choice but to resort to leaving the windows wide open at night to let the breeze in. Not that one could have used the air-conditioner that night anyway – there was a power cut, which in turn also explains the cause of the fire. From accounts following the incident, it seems that it all started because of an oil lamp that had been left on a cupboard in the sitting room downstairs. A strong gust of wind must have come in through the window, knocking the oil lamp over onto the curtain, which burst into flames in no time. The fresh breeze from the open windows kept feeding the hungry flames, which continued eating away at the walls and furniture. The fire spread quickly and soon the sofa, carpets and furniture were ablaze. It was the acrid smell of burning that woke up the occupants of the house from their dreams, to an even worse nightmare. They jumped out of their beds, ran downstairs, and made a dash for the door, but they were stopped in their tracks when part of the ceiling came crushing down in front of them, blocking their only way of escape. It was then that their heart missed a beat, realising for the first time that they were trapped. They remained frozen still, shocked at the sight of that burning inferno. The pungent smoke filled their nostrils and lungs, making them choke and cough. The heat was like a solid wall. Going forward was pointless! Fear rose in their throat at the thought of dying, and they wanted to cry, but they fought down their panic and tried to think clearly of a good plan instead. Spurred by their terror and the will to survive, they ran back upstairs, swift as a  cat, and sprang into the bathroom. While trying to regain lost breath, their father immediately soaked them from head to toe with water. He also got towels, put them under the running water, and placed some of them on their heads. The remaining wet towels were placed under the door to stop the smoke coming in. Then their father opened the window and they all started to scream and yell at the top of their voices. It was that blood curdling sound of screaming which startled me from my sleep. I was not prepared for what I was about to see however. Peering out of my bedroom window I came face to face with our neighbour’s house, completely engulfed by the fire. I rushed to my parents’ room to tell dad, who immediately went to call the fire brigade and the hospital to send a rescue team. In a matter of minutes we heard the shrill noise of the sirens and soon after the fire-engine could be seen speeding down the street, followed by an ambulance and a police car, and coming to a sudden halt just in front of the house. The firemen immediately jumped down from their truck, unrolled the water hosepipes and placed a long ladder against the wall. A brave fireman climbed the ladder to reach the trapped family, while the rest of the team, with hosepipes in hand, fought hard to control the terrible flames. In those frightful moments that followed, it was as if time stood still. The firemen kept directing powerful streams of water into the burning building, but the flames showed no sign of wanting to die. Finally, after what seemed like ages, the trapped neighbours were brought down to safety, to the joy and clapping of all the people who had come on the scene. They had been saved in the nick of time! The paramedics, who until then were on stand-by, lowered each one of them onto the waiting stretchers, and rushed them to hospital. Although they weren’t injured, they were suffering from a terrible shock and had inhaled lots of toxic fumes. The firemen stayed behind until the flames had been completely extinguished. What remained of the house were the blackened walls; the inside was collapsing. That night I couldn’t catch any sleep because of all the commotion. I felt agitated, and the crackling sound of the spent flames and the crashing stones kept me awake all through the night.